Here is Space Requiem:. Stomu was playing a lot of metallic music. Space Song Michael Quartermain. The guitarist tackled the speed issue in an interview years later: Caravanserai is my favorite from that period, including the epic Every Step of the Way.

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Go Too is Go’s third album. Jazz Latin New Age. However the constant touring took its toll on Shrieve and after the tour that followed the release of Borbolleta in he left the band.

Robin Denselow’s aforementioned essay goes into great detail regarding a rather involved story line stomu yamashta go at further unifying the otherwise disparate pieces. Go is the Japanese word for “five”. Other than the stellar lineup of the five core musicians, The Go project includes a fine supporting cast of lesser known artists who should be recognized. Tamashta the Tubular Bells thing. This article on a United States rock music band is a stub. Unclear if the writer of the text, Michael Quartermain, knew exactly what he was after.

The story behind Caravanserai, by Santana. For the garage rock band from Detroit, see The Go. To show him this, one evening Klaus just speeded up his sequencer more and more, and Di Meola had to give up at a certain point, wondering how KS — who sat with his equipment in ya,ashta room — could play so fast. Lots of great info, I will read the article more than once. Space Song Michael Quartermain. Stomu talked the play concept over with Mike, and then he came through with the stomu yamashta go.


Stomu Yamashta’s Go

Styles World Fusion Japanese Traditions. The same month that the first Go album was recorded, Februaryhe was also recording his last album with Return to Forever. Interestingly, the lengthy electric guitar solo on the live recording stou Crossing the Line is not played by Al Di Meola. Time Is Here Michael Quartermain.

You can help Wikipedia by expanding it. He plays on a number of songs on that album, contributing organ and piano as on the track Take Me Away. By using this site, you agree stomu yamashta go the Terms of Use and Privacy Policy. This was a beautiful track and became my yaamshta song on the album, but right now we had a problem.

Go – Michael Shrieve, Steve Winwood, Stomu Yamashta’s Go | Songs, Reviews, Credits | AllMusic

Exactly what that story is escapes me, something to do with polarity between birth and death, reality and fantasy, good and evil, the usual. The first Go record is based on some loose narrative that is supposed to tie the songs together.

Like Michael Shrieve and Steve Winwood, Al Di Meola was in transition stomu yamashta go playing with a prestigious band and starting a solo career. This article does not cite any sources. As it reached what should have been the end, Klaus stomu yamashta go went into the next track, Crossing the Line.


This was a five minute song with only two minutes of tape left. We had recorded a number of run-throughs and were now on take three. Its his arrangements that made some of the stomu yamashta go hits of the late s and early s: Please help improve this article by adding citations to reliable sources. This page was last edited on 20 Aprilat Secrets of the Beehive, by David Sylvian November 7, 7. Winwood ‘s echo-laden vocals give him an almost palpable and uncomfortable quality, perfectly suited for the austere setting that is light years away from the likes of “Sea of Joy” or “Gimmie Some Lovin’,” yet is remarkably akin to “No Time to Live” from Traffic ‘s self-titled platter.

We need plenty of freedom, and I must have my space for percussion.

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